Mountain-side views of the town, a man dressed as a bear stands along a sidewalk greeting villagers. Now in a village, CUs of Polish children - looking at camera, digging in the dirt, and eating dumplings. Polish military teens pass wooden crosses along (assembly-line style) at a cemetery. A man sells wares on the street, a girl buys ice cream. INT, classroom, a priest lectures to boys and girls seated at desks. Reconstruction of Warsaw from a moving vehicle. Large building adjacent to new construction. HAS, policeman directing traffic (pedestrians, automobiles, trams, horse/buggy) with Warsaw in the distance. VAR views of schoolchildren walking along the sidewalk and playing at school. HAS, construction site, rebuilding Poland, river in BG, crane. MS, then CUs of the monument in the former Warsaw ghetto to Jews who died in the 1943 uprising. LS, overview of massive destruction in the city of Warsaw - bombed buildings. In 1946, Bryan photographed the efforts of the United Nations Relief and Rehabilitation Agency in postwar Europe.Īnimated map. He recorded this experience in both the book Siege (New York: Doubleday, Doran, 1940) and the short film Siege (RKO Radio Pictures, 1940) nominated for an Academy Award in 1940. He was in Warsaw in September 1939 when Germany invaded and remained throughout the German siege of the city, photographing and filming what would become America's first cinematic glimpse of the start of WWII. His photographs appeared in Life Magazine. His footage appeared in March of Time theatrical newsreels. Between 19, he captured unique records of ordinary people and life in Nazi Germany and in Poland, including Jewish areas of Warsaw and Krakow and anti-Jewish signs in Germany. In the 1930s, he conducted extensive lecture tours, during which he showed film footage he shot in the former USSR. Bryan traveled widely taking 35mm film that he sold to motion picture companies. Julien Hequembourg Bryan (1899-1974) was an American documentarian and filmmaker.
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